The story behind the covers

The bling-encrusted lettering. The outrageous photos superimposed on lavish backgrounds. The wild colors. There’s no denying that Pen & Pixel covers are one of the defining elements of American ‘90s hip-hop, made prominent by southern rappers and labels like No Limit Records, Rap-a-Lot Records, Cash Money Records, and Suave House Records.

There was a time in hip-hop when it was rare not to see a Pen & Pixel album cover from a southern artist. Bottom line - in the ‘90s and early 2000s, Pen & Pixel was everywhere.

 

The company was started by brothers Shawn and Aaron Brauch, who in the early ‘90s worked at J. Prince’s Houston-based Rap-a-Lot Records as a graphic designer and general manager, respectively. In 1992, the Brauch brothers set out on their own and worked from their dining room table in their apartment. They built the company to be a promotions powerhouse. Working with close to 8,000 clients, producing approximately 19,180 covers during their 11-year run.

 

When you consider Pen & Pixel was used almost exclusively by Master P’s No Limit Records and Birdman’s Cash Money Records, it becomes a bit clearer how they reached that massive number. After all, P’s history is firmly tied to his output, with No Limit literally dropping at least one album per week during the height of its existence.

 

Pen & Pixel‘s impact on the hip-hop culture was undeniable. The graphics company subsequently became an essential element for the southern hip-hop industry by providing its artists with the signature imagery that remains not only memorable but influential, even today.

To that end, we’ve de-archived some of the most memorable and iconic Pen & Pixel covers, from The Hot Boy$ to Snoop Dogg, and Eightball & MJG and they’re here for your consideration in all their diamond-laced glory.

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